Sigma turned just about every head in the photo industry with its “radically simple” BF mirrorless camera ($1,999, body only). The full-frame L-mount mirrorless mixes chic, ultra-modern design with a simplified interface that’s intended to put as few obstacles and distractions in your way as possible so you can concentrate on the fundamentals of photography, like composition, exposure, and color. This comes at a price: The BF cuts out many of the features we’ve come to take for granted and suffers from an underpowered battery that won’t get you through the day. Even so, the BF doesn’t pretend to compete with mainstream, do-everything cameras like the Nikon Z6III ($2,499.95, body only), our full-frame Editors’ Choice winner. It’s an intriguing, utterly gorgeous alternative for creators who are looking to tread off the beaten path.
Design: Unibody Aluminum in Silver or Black
The BF is as much an industrial design showcase as it is a photographic tool. Where most cameras are built up around an internal chassis (typically magnesium alloy), Sigma instead opts for aluminum materials and a unibody build. Each BF camera is milled out of a solid block of aluminum, a fabrication technique that’s proven to deliver equally stunning, futuristic-looking tech products in the past. The discontinued Leica T series comes to mind immediately, as well as MacBook Pro laptops, which have used unibody construction for years.
(Credit: Jim Fisher)
The aluminum materials and manufacturing method come together for a striking camera, one that feels like it came out of a trendy European design house more than a stalwart of the Japanese camera industry. Its style might come at the expense of durability: I noticed the black version loaned to me for review lost some of its sheen after a couple of weeks of daily use, picking up pieces of dust and showing fingerprint marks on its exterior, and I am weary of how the aluminum will hold up to dings and dents over the years. The BF is likely to require some regular cleaning and careful use to keep it looking new. As for shooting outdoors, Sigma says the BF includes dust and splash protection but cautions that it’s only good enough to be used in light rain. This isn’t a camera that you’ll want to take out in a downpour or blizzard.
Even so, if any camera brand is going to try something so bold, Sigma is the candidate. In the digital era, it’s earned a reputation for quirky, off-kilter body design and Foveon imaging tech. There are plenty of examples, but if there’s one to point out, it’s the dp Quattro compact series, which put the uncommon three-layer imaging tech into an extra-wide body with a fixed prime lens and an odd, backward-angled grip. Sigma hasn’t yet made a full-frame Foveon chip; it’s working on one but has faced technical challenges bringing it to market. Because of this, the BF uses a standard BSI CMOS chip with a Bayer pattern color filter array.
(Credit: Jim Fisher)
The BF skips the handgrip altogether. Its 2.9-by-5.1-by-1.4-inch (HWD), 15.7-ounce frame has a flat front, a choice that means that it’s best paired with a small, light prime lens. The body includes diamond knurling on the right side of the front and a sculpted thumb rest on the rear, and together, they provide enough of a grip so the camera isn’t liable to slip out of your hand. The BF fit comfortably in my hand when holding it in front of my face to take an image, but I struggled to find a secure, comfortable way to hold it when walking around town between photo ops. I had to use the camera for a few days without a wrist strap and found that gripping it by the rear plate, with my fingers over the top and thumb cradling the bottom, was the best solution.
(Credit: Jim Fisher)
Flat-front cameras are nothing new; there are plenty of old film cameras in this style, plus recent digital options like the Panasonic Lumix S9, the Sigma fp, and luxury entries from Leica, including the Q3 and M11-P. But with any of those, you can buy an official add-on grip if you’d like, while Sigma does not offer one for the BF. We’ll have to wait and see if third parties will step in to fill the gap.
Still, it’s a good idea to use a strap for some extra peace of mind. The BF doesn’t include one, so you can choose your own. Your options are somewhat limited, however, as the BF only has a single strap lug on its right side and a standard tripod socket on the bottom. This narrows options to either a wrist strap or a strap that secures via the tripod socket.
(Credit: Jim Fisher)
I paired the camera with the Peak Design Cuff wrist strap and found it to be a workable solution, but I missed being able to let go and simply have the camera hang at my side. I’ve not tried it personally, but adding a C-Loop accessory to the tripod socket will let you use a standard strap with dual mounting points for cross-body, shoulder, or neck carry. I also considered trying the BF with a Blackrapid Curve, a heavy-duty strap that secures via the tripod socket, but the Curve is oversized and utilitarian to the point that it clashes with the BF’s style.
The BF is an interchangeable lens camera and works with L-mount lenses, the same type used by Leica and Panasonic Lumix. You’re free to mix and match lenses from each brand and use them with the BF without any loss of function. But if you ask me, the BF is practically tailor-made to work with the Sigma I Series, a line of small, aluminum barrel primes with focal lengths starting at 17mm and ranging up to 90mm. Because of this, Sigma just updated the I Series in both silver and black to match both the finish and typography used on the BF. For the latter, the camera’s release coincides with a brand refresh that sees it switching to a pair of custom lighter-weight typefaces, Sigma Sans and Sigma Serif, that are evocative of Garamond.
(Credit: Jim Fisher)
Sigma left some features out of the camera to make way for its radical industrial design. There’s a long list of things the BF doesn’t have, but the notable ones are an electronic viewfinder, in-body image stabilization (IBIS), and a mechanical shutter with flash sync support. Most cameras that cost as much as the BF have these features and other additional perks.
But other cameras don’t have the same clean lines, metallic glint, or high-concept approach to design as the BF. It stands out in a crowded market that’s self-segmented into two styles: cameras that look pretty much like every other model from the ’90s forward (the Canon EOS R6 Mark II is a perfect example), and retro-chic ones that mimic old film models (such as the Nikon Z f and Fuji X100VI).
(Credit: Jim Fisher)
Sigma’s CEO, Kazuto Yamaki, says the BF name comes from the phrase “beautiful foolishness,” coined by author Okakura Kakuzo in his 1906 essay “The Book of Tea.” The phrase describes the ritualistic nature of the Japanese tea ceremony, an event that introduces strict, rote movements and actions that elevate a typically banal activity. No, you do not need to go through the motions in order to enjoy a cup of matcha, but the ritual enhances the experience to something that’s well beyond utilitarian. Likewise, the BF camera becomes something more than its basic function because of its outward appearance.
Time will tell if beautifully foolish design translates into success in the marketplace. I’m very taken by the BF’s looks. It’s rare to pick up a camera that’s simultaneously familiar to use and trailblazing in design, and the BF’s exterior does its job wooing shutterbugs for sure. One note: It’s too early to tell if market demand will outpace supply as it has with other trendy cameras like the Fuji X100VI, which is still on backorder status more than a year after market introduction. A PetaPixel report indicates Sigma is only able to produce nine BF cameras per day, a figure that makes me think the camera will be in short supply when shipments start next month.
(Credit: Jim Fisher)
Controls: A Radically Simple Interface Wins Us Over
The BF’s cutting-edge industrial design has a strong influence over ergonomics. The aluminum body has a few rounded points, including a raised thumb rest on the rear and an indented corner at the bottom right of the rear plate, the latter of which prevents the camera from digging into your palm. The top and bottom edges are sharply defined. You’re in no danger of injuring yourself with normal handling; the feel of the BF’s edges is very similar to that of a unibody MacBook Pro.
(Credit: Jim Fisher)
If you use the camera with a wrist strap, the edges matter as the BF is sure to spend a lot of time in your hand. The BF’s primary control surface is its rear dial, positioned under your fingertips, just to the left and below the thumb rest. As a right-handed photographer, I like the placement, but I can’t speak to how well it’ll work for left-handed creators. Camera makers rarely cater to southpaws, so this is nothing new.
As for the interface, the BF fulfills its promise of keeping things relatively simple. Instead of burying features in multi-page menus, the camera surfaces its settings in a two-strip menu system that runs along the top and bottom of the display. In order this menu includes drive, file format, aspect ratio, focus, and white balance along the top, and shutter speed, aperture, exposure compensation, ISO, and color mode on the bottom.
(Credit: Jim Fisher)
The BF is designed so you can change any of these options with just your index finger. You’ll tap left or right on the rear dial to scroll through the different options, look at the capsule-shaped rear monochrome OLED to see which is active, and spin the dial left or right to adjust the active setting. The interface is simple and straightforward, and I don’t have many complaints about it other than that the options are not configurable or suppressible. I’d love to be able to shift some of the positions around; as it stands, ISO, which I almost always leave set to Auto, is smack between EV and the color mode. Those were the two settings I found myself adjusting most often, and I had to skip over ISO to go back and forth between them.
If you want more granular control over any particular setting—say, to set a minimum shutter speed or a range limit for auto ISO or toggle eye detection for autofocus—you can go into a submenu for each top-level setting by pressing the dial’s central button. Once there you’ll be able to change more settings, either using the dial or tapping virtual buttons (in the form of gray circular icons). There’s a bit of a learning curve with the approach, and I struggled to find some settings until I figured out they were nested in touch buttons. The on-screen controls to set manual focus assists, screen brightness, and other sundries are accessed via one of these touch buttons, which, while looking like on/off toggles for a setting on the surface, often provide more depth.
The dial is the main control surface, but not the only one. The BF also puts Power (represented by a single dot), Menu (three dots), and Play buttons on the rear, and a two-stage shutter release on the top. Of these, the shutter release and the spin action of the dial are mechanical, while the rest of the buttons are touch-sensitive with haptic feedback. The haptics are fantastic, though, and the touch buttons feel just like physical ones. The only outward tell that they are touch controls is that they show no movement in operation and the haptics don’t work when the camera is turned off.
(Credit: Jim Fisher)
The three-dot Menu button opens another on-screen interface by default. Its top row sets how much information is shown on the rear display, and you can toggle exposure information, a center marker, grid lines, a digital level, and lens focal length, and set focus distance on or off. Below is the System menu where you’ll go to format internal storage, enter copyright information to store in metadata, set the clock, calibrate the in-camera digital level, and the like.
I appreciate that you can make images with just the digital frame preview visible, with no information overlay. I didn’t go quite that far when using the camera, as grid lines are simply a must-have in my book, but even with the grid or a center marker enabled, the BF’s live view is clean and free of distractions. I missed having a live histogram as an exposure assist, though: The camera shows one if you open up the shutter speed or aperture sub-menus, but there’s no way to make it persistent so you’ll lose sight of it as soon as you engage autofocus or exit the menu. You can enable full-time zebra or false color exposure assist tools as an alternative.
Sigma 24mm F2 Contemporary, f/2, 1/8,000-second, ISO 400, Monochrome (Credit: Jim Fisher)
Display: Tough to See on Sunny Days
The BF includes a fairly run-of-the-mill rear display: a 3.2-inch touch LCD with 2.1 million dots. The screen is on par with other cameras in this class, like the Nikon Z f, which matches the BF in size and resolution. However, the Z f and most other mirrorless cameras support some level of screen articulation and include an eye-level viewfinder, features missing from the BF.
(Credit: Jim Fisher)
The practical result is that the BF’s display is just hard to see on a bright, sunny day. There’s no way to reposition the LCD to avoid glare, and without articulation, you’ll need to either view it from an askew position or get down on your hands and knees to frame shots from ground level as apparent brightness and contrast fall off when viewed from an off angle. Even with the brightness set to maximum and the outdoor view assist turned on, I had to use my left hand to shield the display when making images outdoors on a bright day.
I expect some photographers to consider the BF a platform for vintage, mechanical lenses. It’s easy enough to attach any old SLR or Leica M rangefinder lens via an inexpensive adapter, and the BF looks fantastic with an antique lens attached. I tried it with the Leica Summicron-C 40mm F2 from the 1970s with very good results.
(Credit: Jim Fisher)
For manual lenses, the BF supports both frame magnification (2x, 4x, and 8x are available) and focus peaking as focus assists; just double-tap a spot on the rear display to activate it. I found it easy enough to set focus precisely with a 4x or 8x zoom, though the latter resulted in a jittery preview. By default, the BF only leaves the magnified view up for a short two seconds when using a fully manual lens, but you can change it to “Hold” and leave the punched-in view up for as long as you need to set focus. A half-press of the shutter returns to the unmagnified, full-frame view.
It’s up to you whether an EVF is a must-have camera feature. I missed having the option to bring the camera up to my eye when taking images on a bright day and when manually focusing. It doesn’t help that my eyes, like the rest of me, are now in their mid-40s, and progressive lenses can only do so much to bring a 3.2-inch LCD into sharp view. If your eyes are younger and see close objects more clearly, you may find it easier to live without a viewfinder. The screens on flagship smartphones are easier to see outdoors, and I’m disappointed that Sigma didn’t put a better display into the BF to make up for the lack of articulation and eye-level viewfinder.
Leica Summicron-C 40mm F2, f/2, 1/4,000-second, ISO 400, Sunset Red (Credit: Jim Fisher)
Power and Connectivity: Short on Battery Life
Sigma made a new, custom battery for the BF, the BP-81, which installs directly into the bottom plate. The BP-81 is a tall, cylinder-like battery that pops out with the flick of a toggle switch and is rated by CIPA to deliver 250 pictures per charge. In testing, I found the battery to have less endurance. In my first dedicated outing with the BF, I knocked down power from 100% to 15% over the course of about three hours and only walked away with 130 pictures. On my regular half-hour photo walks around my neighborhood I regularly saw the battery drop off by 10% or more with a handful of images to show for it. In short, the BF just chews through the battery, especially when used outdoors with the screen brightness at its maximum setting. I saw better results with video; with standard screen brightness, the BF records about 110 minutes of 4K30 footage on a full charge and does so without any overheating warnings in a room-temperature environment.
(Credit: Jim Fisher)
Because of this, I consider a spare battery to be a necessary accessory. Sigma has not yet stated how much a spare BP-81 will cost. The battery charges in-camera via the USB-C port and takes some time to do so. I clocked it at two hours to go from 0 to 90% and 2.5 hours to get to 100% when plugged into a 100W charger. Sigma sells an external, dual battery charger separately, but likewise has not yet provided pricing details. Just note that if you use a tripod quick-release plate with your camera, you’ll likely have to remove it to swap the battery out, as its release switch is positioned just next to the tripod socket.
(Credit: Jim Fisher)
For connectivity, the USB-C 3.2 port is it. The connection is used for data transfer (at up to 10Gbps) and webcam streaming via the UAC/UVC standard. The BF relies on internal storage and includes 230GB, enough for 14,000 JPGs, 4,300 DNGs, or about 2.5 hours of 6K30 video.
Sigma does not include a USB-C cable or power adapter with the BF, only the BP-81 battery and an aluminum body cap. Body caps are typically made of lightweight plastic, so Sigma’s choice to use aluminum is a classy touch, especially since the cap perfectly matches the camera’s finish.
(Credit: Jim Fisher)
Digital cameras started getting Wi-Fi and smartphone app support a little more than a decade ago, and in the interim, wireless connectivity has become a basic, expected feature. Sigma opted to forgo wireless support with the BF, but it’s not as much of a shortcoming as you’d think. If you plug the BF into an iPhone, iPad, or Android device with a USB-C connection, you can offload pictures directly, just as you would with a computer, without the need for an extra app.
You may run into a problem if you have an older phone; I was not able to get my iPhone 13 to communicate with the BF using an official Apple USB-C to Lightning cable, but have seen reports that using a USB-C to USB-C cable in conjunction with Apple’s official adapter works. I had an easier time with a Samsung Galaxy Tab S9 Ultra tablet, on which the BF shows up as a USB storage device in the Files app. But I expect other camera makers to follow suit and add support for USB-C connection to newer smart devices, given just how easy the process is.
Sigma 90mm F2.8 Contemporary, f/2.8, 1/640-second, ISO 400, Rich (Credit: Jim Fisher)
Autofocus: It Does All the Work For You
Sigma’s move for a more basic, straightforward interface extends to the autofocus system. While many cameras offer a litany of focus box sizes, tracking, and subject recognition options, the BF’s focus system is pared down without getting in the way of functionality. Most of the esoteric autofocus options in mainstream cameras like the Sony a7C II and Nikon Z6III are best used for challenging scenes like team sports and wildlife. The BF isn’t a good camera to use with the big, heavy lenses these disciplines require, so it is sensical to opt for a pared-down focus system. The BF succeeds in keeping autofocus simple. You can let the camera pick focus on its own (nearly the entirety of the frame is covered by a hybrid contrast-phase detection focus system) or restrict it to a small, flexible spot. I opted for the full-frame focus area almost exclusively, and it worked extremely well.
Sigma 50mm F2 Contemporary, f/2, 1/80-second, ISO 400, Teal & Orange (Credit: Jim Fisher)
Face and eye detection kick in automatically for people and pets (you can turn them off if you prefer) and almost always find the target. If not, it’s just a matter of tapping on the screen to direct the focus system to a subject. If you’re using the smaller focus area, doing so simply repositions the focus box, and if you use the full-frame coverage it redirects the focus temporarily. If you want to revert to the full area of coverage, you just have to tap cancel at the top right corner of the LCD; this icon is only visible when you’ve overridden the full focus area with a touch action.
Sigma 50mm F2 Contemporary, f/2, 1/1,600-second, ISO 400, Teal & Orange (Credit: Jim Fisher)
The BF’s focus system is fast enough to support 8fps continuous drive with focus and exposure at every frame. It’s far from the fastest camera on the block—the L-mount Lumix S5 II supports 30fps drive with focus and exposure, for instance—but in my experience, 8fps drive is more than ample for the types of images creators are likely to make with the BF.
Imaging: Pleasing Color Profiles, But No Flash Support
The BF uses a full-frame 24MP BSI CMOS sensor with a fully electronic shutter readout to capture images. The sensor tech is proven, as Sigma uses a similar chip in its fp camera and in L-mount bodies like the Lumix S5 II and Leica SL3-S. The BF covers a similar ISO range (100-102400) and matches up with other cameras with 24MP BSI CMOS chips for image noise and dynamic range.
Sigma 90mm F2.8 Contemporary, f/2.8, 1/4,000-second, ISO 400, Rich (Credit: Jim Fisher)
The BF’s small frame leaves no room for in-body image stabilization (IBIS), a feature most other full-frame mirrorless cameras include. Without IBIS, you’ll need to take care to use shorter shutter speeds to freeze motion and will want to use a tripod or find a flat place to set the camera for longer exposures.
Its 14-bit raw DNG images provide the most leeway to edit color and exposure in the lower register (ISO 100-3200), as well as the least amount of luminance noise, the digital version of film grain. Images get more pronounced noise and less room to lift shadows or reign in overexposed highlights from the ISO 6400-51200 range. Picture quality is on the rough side at the maximum (ISO 102400), but you’re only likely to push the sensitivity that high when making images in dimly lit interiors.
Sigma 50mm F2 Contemporary, f/2, 1/2,000-second, ISO 400, Monochrome (Credit: Jim Fisher)
The JPG output follows suit, with the caveat that the 8-bit compressed file format leaves very little room to edit exposure at any ISO. In-camera noise reduction cuts out grain at higher settings but can also wipe away detail and give pictures a waxy, smooth finish when you push the ISO toward its upper limit.
One note on ISO: Most cameras default to the lowest standard setting if there’s enough light coming into the lens to support it. Sigma tuned the BF’s automatic settings differently because the sensor’s dynamic range is broadest around ISO 320. Because of this, the BF tends to prefer a setting around ISO 400 and very brisk shutter speeds in bright conditions. I don’t see any downside to the approach, and you can always change to a manual setting if you’d like; it’s just good to understand the logic behind the decision, especially since it’s in contrast to how most other cameras work.
Sigma 50mm F2 Contemporary, f/2, 1/6,400-second, ISO 400, Rich (Credit: Jim Fisher)
The BF relies on a fully electronic shutter to make images, as its slim body leaves no space for a mechanical focal plane shutter. Its 24MP BSI CMOS sensor scans quickly enough to avoid rolling shutter motion distortion in most instances. I saw clean, straight lines in cars driving laterally across a frame in a 35mph speed zone, for instance, but you can expect to see some curved Jell-O effect if you point the camera at subjects moving across the frame at a brisker pace. I don’t see this as a major deterrent for everyday photography, however.
Sigma 50mm F2 Contemporary, f/2, 1/125-second, ISO 125, Rich (Credit: Jim Fisher)
I peg the lack of flash support as a more serious consequence of the fully electronic shutter. Adding flash support would require Sigma to use a faster reading sensor with stacked CMOS tech behind it or add a mechanical focal plane shutter, as well as a hot shoe or sync port, to the body. Any of those would add cost and bulk to the camera, so I see the reasoning behind leaving them out. If you’re interested in experimenting with flash photography, you’re better off with a full-featured mirrorless camera like the Canon EOS R6 Mark II, the Nikon Z f, or the Sony a7C II, or going for a compact body with a built-in flash and leaf shutter like the Fuji X100VI.
Sigma 24mm F2 Contemporary, f/2, 1/4,000-second, ISO 400, Monochrome (Credit: Jim Fisher)
The BF supports DNG capture so you can tone photos to taste, either with a desktop Raw processing app like Adobe Lightroom Classic, a smartphone app, or the BF’s in-camera development tools. You’re able to reprocess any DNG image with one of the BF’s curated color profiles, which include the basics like the neutral Standard look, vivid Rich profile, a soft Calm finish, and black-and-white Monochrome option, plus filtered profiles like Cine, Classic Blue, Classic Yellow, Forest Green, Powder Blue, Rec.709, Sunset Red, Teal & Orange, and Warm Gold. I particularly liked using Rich for flower and plant images at a botanical garden, Sunset Red for early morning walks, and Monochrome for scenes that look better in black-and-white than in color. Each profile is configurable to taste, as the camera lets you accentuate or diminish the overall toning and tune highlight, shadow, fade, and vignette effects.
Sigma 50mm F2 Contemporary, f/2, 1/5,000-second, ISO 400, Rich (Credit: Jim Fisher)
Video: Missing the Connectivity Vloggers Will Want
I can’t help but think of the BF as a camera that’s best suited for capturing stills, but that didn’t stop Sigma from putting some serious video features inside. The BF records 10-bit video with H.265 encoding and 8-bit footage in H.264 at up to 6K30, with 4K30 and 1080p120 available as well. All of the still image color profiles are available for movies, plus a flat L-Log look with lower contrast and saturation that provides a neutral starting point for more malleable color grading in the editing room.
Leica Summicron-C 40mm F2, f/2, 1/800-second, ISO 400, Monochrome (Credit: Jim Fisher)
Electronic image stabilization (EIS) is available for 4K and 1080p video recording and works to smooth out jitters and jumps that we see in unstabilized handheld video, with the caveat that using EIS introduces a 1.25x crop to the width of your frame. Essentially, it makes your wide-angle lenses a little less wide-angle.
The BF may find a good home in streaming setups, however. Its USB-C connection makes it easy to plug into a computer to use with OBS or to record a YouTube studio show. In the field, you can also use an external microphone or connect headphones to monitor audio from the in-camera mic. The built-in mic is OK for short clips and social footage but picks up plenty of background noise and sounds hollow when compared with an external mic.
Sigma 90mm F2.8 Contemporary, f/2.8, 1/640-second, ISO 100, Rich (Credit: Jim Fisher)
While you certainly can use the BF as a video camera, I don’t recommend it for vloggers or indie filmmakers. It simply doesn’t have the accessory ports you need to build out a video rig. Having just one connection for audio is far too limiting, and there’s no place on the body to mount an external microphone. There are plenty of alternatives to consider at the price point for video, including cameras with internal ProRes encoding and full accessory support, like the Lumix S5 IIx, Nikon Z6III, and Fujifilm X-H2S.
Sigma 50mm F2 Contemporary, f/2, 1/10,000-second, ISO 400, Monochrome (Credit: Jim Fisher)
Verdict: A Beautiful Camera Built for a Narrow Audience
The Sigma BF’s exterior design, tightly focused feature set, and streamlined user interface position it as a camera built for a certain type of photo enthusiast, namely one that wants to use a beautiful tool to take pictures. It works best with small prime lenses and is most suited for everyday slice-of-life images, landscapes, fine art abstracts, naturally lit portraits, and similar shots. If Sigma had managed to work in an EVF or a tilting screen, I’d go as far as to say it’s an ideal tool for the type of photos I like to make personally. Overall, I had a good time using it, and I adore the color profiles Sigma uses in its JPG engine, but battery life is too much of a sticking point for the BF to earn top marks. The Nikon Z6III simply does more, runs longer, and balances better with telephoto and zoom lenses, so it retains our Editors’ Choice award, but I won’t fault anyone for picking the BF instead. There’s nothing foolish about choosing beauty over practicality if that’s what your heart desires.
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The Bottom Line
The Sigma BF draws attention with its modern industrial design and woos creative photographers with a streamlined interface and gorgeous color profiles, but it offers fewer features than mainstream cameras.
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About Jim Fisher
Lead Analyst, Cameras
