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Does the finale need to be good for ‘A Knight of the Seven Kingdoms’ to surpass ‘House of the Dragon’
“A Knight of the Seven Kingdoms” is, notably, not the only “Game of Thrones” spin-off we have. It’s not even the first. “House of the Dragon” already has two seasons in the books and two more are coming.
But the retelling of the Targaryen civil war known as the Dance of Dragons has been far rockier than the retelling of Dunk and Egg’s adventures. The second season was not beloved, and I even declared that it was repeating the biggest mistakes from “Game of Thrones.”
Frankly, “Seven” alone has me rating this show higher than its older sibling, and unless the season finale totally drops the ball, I think “A Knight of the Seven Kingdoms” has taken the Iron Throne for now. Even a merely underwhelming finale wouldn’t have me changing my tune. Simply put, this show has executed its storytelling far better than “House of the Dragon.” — MM
Understanding Maeker and his sons
I’ve been enjoying the videos made by A Game of Thrones Historian on TikTok. Here’s one that delves into Maeker’s relationships with his sons, particularly the three at the tournament: Daeron, Aerion and Egg. Getting insights into those relationships, grounded by the books, is valuable to understanding the series. – KW
The Blackfyre Rebellions for beginners
I just mentioned Daemon Blackfyre’s rebellion, which is a spectre that looms over the world of “A Knight of the Seven Kingdoms,” though we only get brief glimpses of its aftermath. This was the first of several Blackfyre Rebellions, which played a major role in weakening the Targaryen dynasty in the lead-up to “Game of Thrones.”
So I felt a brief explainer of these rebellions against the throne could be useful context, and I’m going to keep things spoiler-free in terms of “House of the Dragon” and “A Knight of the Seven Kingdoms.” But if you want no spoilers whatsoever, just skip over this post.
OK, everyone who wants to be gone is gone? Let’s dive into it.
The Blackfyre Rebellion was the first of five attempts by House Blackfyre to usurp the Iron Throne from their Targaryen relatives. The name comes from the Valyrian steel sword Blackfyre, which was given to the bastard Daemon Waters by his father, King Aegon IV, and the house took on the Targaryen sigil and colors, but reversed to portray a black dragon on a red field rather than a red dragon on a black field.
Aegon IV had a lot of bastards, dubbed “Great Bastards,” but when he died, he legitimized them all, including Daemon. Not long after Aegon’s death, Daemon declared he was the legitimate heir, and his half-brother, King Daeron II, was really the bastard of Aegon’s brother, Aemon. He then summoned an army to fight against the crown, which was then destroyed by Daeron II and the great houses of the Seven Kingdoms at the Battle of the Redgrass Fields.
That’s where “A Knight of the Seven Kingdoms” picks up, and House Blackfyre will get mentioned again as this series goes on. The last Blackfyre Pretender wasn’t defeated until 257 AC (After Conquest), mere decades before the events of “Game of Thrones.” — MM
Dunk’s flashback gives us a deeper insight into the world of Westeros
In last week’s episode, we got two episodes in one. There was the Trial of Seven between Dunk and his comrades against Prince Aerion (Finn Bennett) and his knights, but there was also a lengthy flashback to Dunk’s time in King’s Landing and the origins of how he became the squire to Ser Arlan of Pennytree (Danny Webb).
In this flashback, we see a couple of things that hint at the larger world of “A Song of Ice and Fire.” Dunk (portrayed by Bamber Todd in this flashback) and his childhood friend Rafe (Chloe Lea) are raiding a battlefield just outside the city, which fans of the books will know as the site of the Battle of the Redgrass Field. This is part of Daemon Blackfyre’s rebellion against the crown, which gets a few mentions across the season.
We also get a mention of Essos and the Free Cities. In “Game of Thrones,” these are meant to feel a world away from Westeros, but in this show, we’re reminded that Essos is just across the Narrow Sea, and travel between the continents is simply a matter of having enough money. — MM
Pour one out for a good one: RIP Baelor Targaryen
“A Knight of the Seven Kingdoms” is a very different kind of show from “Game of Thrones.” But one thing is true in both: Good men don’t last long in Westeros. – Kelly Woo
Baelor gave us the moment of the season in ‘Seven’
Tonight might be the finale, but the emotional climax of this movie was undoubtedly Baelor’s (Bertie Carvel) reveal that he’d be fighting alongside Dunk, aka Ser Duncan the Tall (Peter Claffey), at the Trial of Seven. As a Targaryen, the crown prince and the Hand of the King, the idea of him fighting against his family in what’s nominally a fight to the death is a stunning one. But for the character we’d seen crafted in front of our eyes over the season to that point, it was the only choice that Baelor could make.
Fans of the “Tales of Dunk and Egg” novellas that this show is based on knew this moment was coming, but even they couldn’t have anticipated the needle drop of the “Game of Thrones” theme that accompanied Baelor’s announcement. It’s the high point of the season, bar none, and might be the best moment “Game of Thrones” has had on HBO since “The Winds of Winter” back in 2016. — MM
Join us live as ‘A Knight of the Seven Kingdoms’ season 1 ends tonight with a brief 29-minute finale
Welcome to our live coverage of “The Morrow,” the season 1 finale of “A Knight of the Seven Kingdoms.” We’re just two hours away from when the episode will start at 10 p.m. ET, and in the lead-up to the opening scene, we’re recapping what’s happened so far, diving a bit into Westerosi history and making some (potentially) dragonfire-level hot takes.
But once the show starts, you’ll want to make sure you’re paying attention so you don’t miss a moment. This final episode of season 1 is just 29 minutes long from when it starts to when the credits roll, so looking down at your phone for even a moment could cause you to miss a significant portion of the episode. — Malcolm McMillan
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