It’s already been a week since Reid Wiseman, Victor Glover, Christina Koch and Jeremy Hansen escaped Earth’s gravity aboard the SLS (Space Launch System). The mission is going wonderfully and the crew flew over the Moon, as planned, two days ago. Although astronauts have a busy schedule, NASA does not forget that they are not robots, and that a little comfort aboard the Orion capsule is absolutely essential. What’s better for this than a Spotify playlist? to start the day off right ?
It’s a tradition dating back to the Apollo era that the space agency is not ready to abandon. Baptized Wake-up callsit is orchestrated by the mission control center in Houston, which broadcasts motivating songs just before CAPCOM – the only person on the ground authorized to speak directly to the astronauts – greets the crew upon awakening. Sound may propagate very poorly in a vacuum, but inside the capsule, it must go straight to their hearts as this 2026 vintage is a treat.
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A space playlist that everyone agrees on
The selection is very heterogeneousand we weigh our words: we find there the soaring reprise of Sleepyhead by Young & Sick which exudes the joy of living and summer. Tokyo Driftingvery heavy trap punctuated with electro touches, signed by Denzel Curry and Glass Animals. But there is still room for the oldies since they also have the right to the timeless groove of In a Daydream by Freddy Jones Band, a piece of Southern Rock melodic reminiscent of the great American spaces.
One of the biggest pop phenomena of recent years rocked the crew: the ultra-punchy tube sound Pink Pony Clubby Chappell Roan, a hit released in 2020 which became a true international anthem in 2024-2025. During the mission it had to be interrupted, which immediately caused Commander Reid Wiseman to react, who made it clear with a hint of mischief that the crew was waiting ” impatiently for the arrival of the chorus “. And we understand why; once you hear it, difficult to get it out of your ears as it is explosive.
The best PR stunt for artists
As soon as NASA releases a title, streaming platforms are getting carried away. The statistics are dizzying: the title of Young & Sick recorded an explosion of 2,100% in its global listenings in a single day. Another song also benefited: CeeLo Green’s cover of Working Class Heroes (Work)originally composed by the British garage rock group The Jetzons in 1982. The American author-producer saw his stock rise to +1,700%.
This is also the Artemis effect: a soundtrack for a historic moment. Knowing that these notes resonate in Orion’s cockpit while four humans observe the far side of the Moon necessarily creates a powerful emotional connection. The listeners want to participate, on their own level, in the crew’s adventure as best they can; music is, as such, both a tool of ultimate communion and a universal language.
Knowing, moreover, that there is only one Wake-up call per day; for an artist, whatever his stature, being selected by NASA means receiving a unique label. A hyper-exclusive curation which also attracts the attention of the platform algorithms (Spotify, Apple Music, Deezer, etc.), which then propel the title into their own playlists Trends.
We will always find some grumpy people who will say that “ it was better before »because it was the velvet voice of Frank Sinatra that accompanied the crew of Apollo 10 in 1969 with his piece It’s Nice to Go Trav’ling. Or because it was the theme of 2001, A Space Odyssey which rocked that of Apollo 15 in 1971. Criticizing the Artemis II playlist on the grounds that it lacks “ prestige “, is to forget that every generation of astronauts deserves its own soundtrack and that NASA is a space agency, not a classical music conservatory. Nothing prevents to admire Sinatra or Richard Strauss furthermore admitting that our era no longer beats at the tempo of salon jazz and that pop culture is a human fuel just as noble as liquid hydrogen. Once again, NASA proves to us that it has a hollow nose for choose polished productions that honor its mission !
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