The UHD Alliance, a notable consortium of home entertainment companies within the tech industry, is releasing version 1.1 of its existing Filmmaker Mode for televisions. This new release aims to deliver an easier-to-see on-screen picture, by dynamically adjusting brightness levels using the ambient light sensor found on newer TV sets.
“This innovative feature addresses the challenges faced in non-reference viewing environments, ensuring that your creative vision is preserved regardless of ambient lighting conditions,” writes the UHD Alliance in a recently-published LinkedIn post.
As a home theater specification, Filmmaker Mode is designed to provide a faithful representation of a film’s cinematic look-and-feel, in a way that preserves the creative intentions of the film’s director. With existing versions of Filmmaker Mode, some criticism has been levied at the fact that compliant video is too dark to be viewed comfortably — a byproduct of filmmakers targeting the average movie theater environment and not that of a living room.
If the use of ambient light to improve image quality sounds familiar, that’s because Dolby has implemented a similar solution in its own Dolby Vision IQ motion picture standard.
To compensate, version 1.1 ropes in ambient light sensing technology to appropriately adjust picture brightness to match your own viewing environment. For context, a growing number of TVs on the market already ship with ambient light sensors — they’re the same bit of tech that, in your smartphone, can detect the brightness of your surroundings to prevent you from being blinded when checking the time in the middle of the night.
Filmmaker Mode stands a fighting chance
Picture brightness has been a chief complaint with the specification’s original 1.0 release
If you haven’t yet heard of the Filmmaker Mode specification, there’s no need to worry. The standard was only introduced by the UHD Alliance in 2020, and, so far, only some higher-end television sets from LG, Panosonic, TP Vision, Samsung, and Vizio ship with the feature natively integrated.
Even if you do happen to own a Filmmaker Mode-enabled TV, the majority of today’s multimedia content lacks the metadata to function most effectively with the mode switched on. As a visual preset for reducing post-processing, however, it’s an option worth considering regardless of content delivery mechanism (streaming, broadcast, optical disc, etc). A cheap, artificial ‘Best Buy mode’ filter, this is not.
Compliant TVs with Filmmaker Mode certification must adhere to several image quality and display parameters, which are outlined on the official Filmmaker Mode website. These technical specifications include targeting a D65 White Point, maintaining the source content’s frame rate and aspect ratio, not relying on “enhancement” processing techniques like motion smoothing, interpolation, image sharpening, and noise reduction, as well as only utilizing overscan if properly signaled with the image.
…as with every other up-and-coming tech standard, the UHS Alliance still has to contend with the very real chicken-and-egg paradox.
A number of major consumer electronics and broadcasting companies are currently on board with Filmmaker Mode, or are otherwise a part of the UHS Alliance, including B&O, Hisense, Sony, Sharp, Philips, TCL, Apple, Dolby, Paramount, Roku, Universal, and Warner Brothers. With heavy-hitting brands throwing their support behind the spec, there’s a solid chance that it’ll saturate the TV market in the coming years and beyond.
With Filmmaker Mode 1.1 finally addressing the complaint of low picture brightness, I expect accelerated adoption of the standard across the industry. Of course, as with every other up-and-coming tech standard, the UHD Alliance still has to contend with the very real chicken-and-egg paradox: companies won’t release Filmmaker Mode-compliant content unless there’s an established user base of compatible TVs in consumers’ homes, and consumers won’t purchase Filmmaker Mode-compatible TVs unless there’s enough content out there to warrant the investment.
